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home·artworks·Richard Graf Bienerth-Schmerling
Richard Graf Bienerth-Schmerling by John Quincy Adams

plate no. 0574

Richard Graf Bienerth-Schmerling

John Quincy Adams, 1907

oil, canvasRealismportraitportraitfiguremanchairformal wearbooks
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding and applying chiaroscuro to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and chair.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the dark areas first.

  3. step 03

    Gradually build up the layers of paint, adding more detail and refining the shapes.

  4. step 04

    Pay close attention to the skin tones, mixing a variety of colors to capture the subtle variations in light and shadow.

  5. step 05

    Define the features of the face, focusing on the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing and chair, paying attention to the textures and patterns.

  7. step 07

    Refine the background, creating a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ultramarine blue · cadmium yellow

Mix various shades of brown and gray by combining burnt umber, ivory black, and white. Use yellow ochre and cadmium yellow to create the gold sash. Add ultramarine blue to darken shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Neglecting the subtle variations in color and value.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes sizes #2, #4, #6
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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