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home·artworks·Return from the fields
Return from the fields by Pasquale Celommi

plate no. 8827

Return from the fields

Pasquale Celommi

oil, canvasRealismgenre paintingfigurefieldflowerspathlandscapedress
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and creating depth using atmospheric perspective. It also provides practice in capturing the texture of grass and flowers with varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, the path, and the horizon line.

  2. step 02

    Establish the basic color blocks for the sky, field, and path using thin washes.

  3. step 03

    Develop the figure's form with careful attention to light and shadow, focusing on the drapery and skin tones.

  4. step 04

    Add details to the field, building up layers of color to represent the grass and flowers.

  5. step 05

    Refine the path with variations in tone and texture to create a sense of depth.

  6. step 06

    Paint the scarf with bold strokes, capturing its movement and folds.

  7. step 07

    Add final details to the figure's face and clothing, paying attention to the highlights and shadows.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · raw umber · sap green

Mix various greens for the field by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the skin tones by blending titanium white, yellow ochre, and cadmium red, adjusting the proportions for highlights and shadows.

techniques

  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details in the field, resulting in a flat and lifeless appearance.
  • →Failing to establish a clear focal point, causing the viewer's eye to wander.
  • →Ignoring the subtle shifts in color and value that create depth and atmosphere.
  • →Getting the figure's proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint

Use a medium-tooth canvas to allow for good paint adhesion and texture.

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oil painting for beginners →how to learn by studying the masters →
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