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home·artworks·Prince Edward, Count Palatine
Prince Edward, Count Palatine by Gerard van Honthorst

plate no. 1626

Prince Edward, Count Palatine

Gerard van Honthorst, 1656

oilBaroqueportraitportraitfiguremalearmorcapehair
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabrics and textures. It also offers a chance to practice painting hair and metallic surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and oval frame.

  2. step 02

    Establish the background tone with a thin wash of color.

  3. step 03

    Block in the major color areas: skin tones, hair, cape, and armor.

  4. step 04

    Begin refining the skin tones, paying close attention to highlights and shadows.

  5. step 05

    Develop the hair, using layers of dark and light tones to create volume and texture.

  6. step 06

    Work on the cape, blending colors to create soft folds and highlights.

  7. step 07

    Paint the armor, focusing on capturing the metallic sheen and details.

  8. step 08

    Add final details and adjust values to create depth and realism.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The cape is a blend of red and umber, lightened with white. Armor uses yellow ochre and umber with white highlights.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·glazing
  • ·rendering textures

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to capture the metallic sheen of the armor.
  • →Ignoring subtle color variations in the hair and cape.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red light, yellow ochre, burnt sienna, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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