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home·artworks·Portrait of two sisters (possibly from the Gerngross or Friedmann families)
Portrait of two sisters (possibly from the Gerngross or Friedmann families) by John Quincy Adams

plate no. 6145

Portrait of two sisters (possibly from the Gerngross or Friedmann families)

John Quincy Adams

oilRealismportraitfiguresportraitchildrendressesfurnitureflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth and atmospheric perspective using tonal values.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figures and furniture.

  2. step 02

    Establish the darkest and lightest values in the painting to create a tonal range.

  3. step 03

    Begin blocking in the background, focusing on creating a sense of depth and atmosphere.

  4. step 04

    Develop the forms of the figures, paying attention to the folds and highlights in their dresses.

  5. step 05

    Refine the facial features, capturing the likeness and expressions of the subjects.

  6. step 06

    Add details to the furniture and flowers, using subtle variations in tone and texture.

  7. step 07

    Adjust the overall composition, ensuring that the focal points are well-defined and balanced.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism and depth.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Use ivory black and titanium white to create a range of grays. Add small amounts of raw umber or yellow ochre to warm the grays for the skin tones and furniture.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create a convincing tonal range.
  • →Making the skin tones look flat and lifeless.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·Odorless mineral spirits
  • ·Palette

optional

  • ·Palette knife
  • ·Medium gloss
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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