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home·artworks·Portrait of the writer Mikhail Evgrafovich Saltykov (N. Shchedrin)
Portrait of the writer Mikhail Evgrafovich Saltykov  (N. Shchedrin) by Ivan Kramskoy

plate no. 4152

Portrait of the writer Mikhail Evgrafovich Saltykov (N. Shchedrin)

Ivan Kramskoy, 1879

oilRealismportraitportraitfigurebeardclothingmanface
some experience helpful

Recreating this portrait will help students develop skills in portrait proportions, rendering realistic skin tones, and capturing subtle light and shadow to create depth. It also provides practice in depicting textures like hair and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background color with a thin wash of dark green, allowing for variations in tone.

  3. step 03

    Block in the main shapes of the face, hair, and clothing using simplified values.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the nose, eyes, and mouth.

  5. step 05

    Develop the beard and hair, using small brushstrokes to create texture and volume.

  6. step 06

    Work on the clothing, focusing on the folds and creases to create a sense of form.

  7. step 07

    Add highlights to the face, hands, and clothing to enhance the sense of realism.

  8. step 08

    Refine the details and make any necessary adjustments to the overall composition.

color palette

primary · ivory black · raw umber · titanium white

secondary · viridian · yellow ochre · burnt sienna

Mix skin tones using white, raw umber, and a touch of yellow ochre and burnt sienna. Achieve the dark greens by mixing viridian with ivory black and a touch of raw umber.

techniques

  • ·portrait sketching
  • ·value blocking
  • ·blending
  • ·layering
  • ·dry brushing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle variations in light and shadow.
  • →Losing the texture in the hair and beard.
  • →Ignoring the details in the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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