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home·artworks·Portrait of the sister of the painter Giuseppina Tallone in Scribante in Ciociara costume
Portrait of the sister of the painter Giuseppina Tallone in Scribante in Ciociara costume by Cesare Tallone

plate no. 4194

Portrait of the sister of the painter Giuseppina Tallone in Scribante in Ciociara costume

Cesare Tallone, 1887

oil, canvasRealismportraitfigureportraittambourinedresswallfolklore
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth and atmosphere through subtle color variations and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Establish the background with broad, loose strokes, paying attention to the light and shadow.

  3. step 03

    Block in the main shapes of the figure, including the dress, blouse, and face.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle shading.

  5. step 05

    Add details to the dress and tambourine, capturing the textures and patterns.

  6. step 06

    Develop the folds and highlights in the fabric, creating a sense of volume.

  7. step 07

    Refine the background and foreground, adding details and adjusting the values.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · ivory black · titanium white · ultramarine blue · burnt umber

secondary · cadmium red · yellow ochre · raw sienna

Achieve the skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ultramarine blue and black for the darker areas of the dress, and mix white with a touch of yellow ochre for the blouse.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Neglecting the subtle color variations in the skin tones.
  • →Losing the looseness and spontaneity of the brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, titanium white, ultramarine blue, burnt umber, cadmium red, yellow ochre, raw sienna)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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