apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the poet Nikolai Nekrasov
Portrait of the poet Nikolai Nekrasov by Ivan Kramskoy

plate no. 4258

Portrait of the poet Nikolai Nekrasov

Ivan Kramskoy, 1877

oilRealismportraitportraitmanbeardclothingfigurehistorical
some experience helpful

This painting provides a good exercise in portraiture, focusing on capturing likeness and rendering realistic skin tones. Students can practice blending techniques to create smooth transitions and subtle variations in color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure.

  2. step 02

    Establish the background with a dark, textured wash.

  3. step 03

    Block in the main shapes of the face, clothing, and hands.

  4. step 04

    Begin layering and blending skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the facial features, such as the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing, including the collar, bow tie, and jacket.

  7. step 07

    Render the beard and hair with careful attention to individual strands.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · cadmium red · ultramarine blue

Mix burnt umber and ivory black for the dark background. Use raw sienna, yellow ochre, cadmium red, and white to create a range of skin tones. Add a touch of ultramarine blue to darken shadows.

techniques

  • ·portrait painting
  • ·blending
  • ·layering
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Ignoring subtle variations in skin tone.
  • →Overworking details before establishing the overall form.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, yellow ochre, cadmium red, ultramarine blue)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy