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home·artworks·Portrait of the Artist Johann Gottlieb Wenig
Portrait of the Artist Johann Gottlieb Wenig by Ivan Kramskoy

plate no. 7099

Portrait of the Artist Johann Gottlieb Wenig

Ivan Kramskoy, 1861

oilRealismportraitportraitmanbeardhairclothingfigure
some experience helpful

Recreating this portrait will help students develop skills in tonal value studies and capturing likeness through careful observation of light and shadow. Students will also learn to create realistic textures in hair and clothing using subtle brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of key features.

  2. step 02

    Establish the darkest and lightest values in the portrait to create a tonal range.

  3. step 03

    Block in the major shapes of the face, hair, and clothing with mid-tone values.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in value that define the form.

  5. step 05

    Add details to the hair and beard, using a variety of brushstrokes to create texture.

  6. step 06

    Develop the clothing, focusing on the folds and shadows that create depth.

  7. step 07

    Soften edges and blend transitions to create a smooth, realistic effect.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · raw umber · titanium white

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining ivory black and titanium white in different ratios. Add small amounts of raw umber or yellow ochre to warm up the grays and create subtle variations in tone.

techniques

  • ·tonal value study
  • ·blending
  • ·scumbling
  • ·hatching
  • ·dry brushing

common pitfalls

  • →Failing to establish a strong tonal range, resulting in a flat, lifeless portrait.
  • →Overworking the details, leading to a stiff and unnatural appearance.
  • →Ignoring the subtle variations in value that define the form.
  • →Creating harsh lines and edges that detract from the realism of the portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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