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home·artworks·Portrait of Sophia Adriana De Bruijn
Portrait of Sophia Adriana De Bruijn by Thérèse Schwartze

plate no. 9509

Portrait of Sophia Adriana De Bruijn

Thérèse Schwartze, 1890

oilRealismportraitportraitfiguredressjewelryhairfabric
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportion and capturing likeness, as well as practice in rendering fabric and subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of neutral gray, paying attention to subtle tonal variations.

  3. step 03

    Block in the main areas of color for the skin, hair, and dress, using a limited palette.

  4. step 04

    Refine the facial features, focusing on accurate placement and subtle shading to create form.

  5. step 05

    Develop the details of the dress, including the pattern and folds, using a combination of layering and blending.

  6. step 06

    Add highlights and shadows to create depth and dimension in the fabric and jewelry.

  7. step 07

    Refine the hands, paying attention to the subtle curves and contours.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red light · ultramarine blue

Mix skin tones by blending white, yellow ochre, and a touch of red. Use black and umber to create shadows and depth in the dress and hair. Mix blue and white to create the subtle gray background.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·rendering fabric
  • ·tonal variation

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy skin tones
  • →Lack of depth and dimension in the fabric
  • →Ignoring subtle tonal variations in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for this project.

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oil painting for beginners →how to learn by studying the masters →
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