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home·artworks·Portrait of Philadelphia and Elisabeth Cary
Portrait of Philadelphia and Elisabeth Cary by Anthony van Dyck

plate no. 3876

Portrait of Philadelphia and Elisabeth Cary

Anthony van Dyck, 1635

oil, canvasBaroqueportraitfiguresportraitdoglandscapedraperyclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabrics with realistic folds and highlights. It also provides practice in creating depth and atmosphere through subtle color variations and value shifts.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures, dog, and background elements.

  2. step 02

    Block in the main shapes and colors of the background, including the sky, landscape, and drapery.

  3. step 03

    Establish the basic skin tones and features of the figures, paying attention to the light and shadow patterns.

  4. step 04

    Begin to develop the details of the clothing, focusing on the folds, highlights, and shadows to create a sense of volume.

  5. step 05

    Add details to the dog, including its fur, eyes, and pose.

  6. step 06

    Refine the background elements, adding details to the landscape and drapery.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive and visually appealing painting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · ivory black · viridian

Achieve the subtle skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red and burnt umber. The blue dress requires mixing ultramarine blue with white and a touch of viridian. The background uses a mix of burnt umber, yellow ochre, and white.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figures or dog.
  • →Overly harsh or unrealistic skin tones.
  • →Failure to capture the subtle nuances of light and shadow in the fabrics.
  • →Lack of depth and atmosphere in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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