apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Pavel Tretyakov
Portrait of Pavel Tretyakov by Ivan Kramskoy

plate no. 3824

Portrait of Pavel Tretyakov

Ivan Kramskoy, 1876

oilRealismportraitportraitfiguremanbeardclothingface
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and creating depth through subtle value changes. Students will also learn to manage a limited color palette effectively.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the head and shoulders, paying attention to the overall composition.

  2. step 02

    Establish the darkest areas of the background and clothing with a thin wash of dark color.

  3. step 03

    Block in the general skin tones, focusing on the highlights and shadows on the face.

  4. step 04

    Begin to refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the beard, using a variety of brushstrokes to create texture and depth.

  6. step 06

    Refine the clothing and collar, adding subtle details and shadows.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to the face and beard to complete the portrait.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · yellow ochre

Mix skin tones by blending white, raw sienna, burnt umber, and a touch of alizarin crimson. Use ivory black and burnt umber for dark areas, and add white to create lighter shades.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value changes.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting to paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy