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home·artworks·Portrait of P. S. Krøyer's half brother and cousin Vilhelm born
Portrait of P. S. Krøyer's half brother and cousin Vilhelm born by Peder Severin Kroyer

plate no. 2165

Portrait of P. S. Krøyer's half brother and cousin Vilhelm born

Peder Severin Kroyer

oil, canvasRealismportraitportraitmanformal wearfacehairclothing
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and capturing likeness. It also provides practice in depicting fabric and formal attire.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas on the face and clothing using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin building up the skin tones using a limited palette of white, yellow ochre, burnt sienna, and a touch of red.

  4. step 04

    Carefully observe and mix the subtle color variations in the skin, paying attention to highlights and shadows.

  5. step 05

    Paint the dark areas of the suit and bow tie, gradually adding highlights and details.

  6. step 06

    Refine the features of the face, focusing on the eyes, nose, and mouth.

  7. step 07

    Add details to the hair and mustache, using small brushstrokes to create texture.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · cadmium red light · ultramarine blue

Skin tones are achieved through subtle mixing of white, yellow ochre, burnt sienna, and a touch of red. Darker tones are created by adding small amounts of black or burnt umber.

techniques

  • ·portraiture
  • ·value study
  • ·color mixing
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions
  • →Overly saturated skin tones
  • →Lack of subtle value changes
  • →Ignoring the underlying structure of the face

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20)
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Allow each layer of paint to dry slightly before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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