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home·artworks·Portrait of Nicolaas Rockox
Portrait of Nicolaas Rockox by Otto van Veen

plate no. 5965

Portrait of Nicolaas Rockox

Otto van Veen, 1600

oilBaroqueportraitportraitfiguremanruffclothingbeard
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones. It also provides practice in rendering complex textures like the ruff.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and ruff.

  2. step 02

    Establish the main light and shadow areas on the face and clothing with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, focusing on the planes of the face.

  4. step 04

    Define the features (eyes, nose, mouth) with careful attention to detail and accurate placement.

  5. step 05

    Work on the ruff, capturing its complex folds and the interplay of light and shadow.

  6. step 06

    Develop the dark background and clothing, adding subtle details and textures.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to bring the portrait to life.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix skin tones by blending white, burnt sienna, raw umber, and small amounts of red and yellow. Use ultramarine blue and ivory black to create the dark tones for the background and clothing. The ruff is primarily white with subtle grey shadows, achieved by mixing white with small amounts of black and blue.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portrait sketching

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle gradations.
  • →Failing to capture the texture of the ruff.
  • →Making the background too distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a smooth canvas for best results. Consider using a toned ground to help establish the initial values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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