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home·artworks·Portrait of Mrs. Ester de Amorim (or d'Amerin)
Portrait of Mrs. Ester de Amorim (or d'Amerin) by Cesare Tallone

plate no. 7209

Portrait of Mrs. Ester de Amorim (or d'Amerin)

Cesare Tallone

oilRealismportraitportraitfiguredresshatwomanbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures with subtle value changes. It also provides practice in creating atmospheric backgrounds and using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown.

  2. step 02

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  3. step 03

    Block in the main areas of dark and light, establishing the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the dress and hat, using loose brushstrokes to suggest texture and form.

  6. step 06

    Work on the background, blending colors and values to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to the face, dress, and background.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · ivory black · burnt umber · raw sienna

secondary · titanium white · alizarin crimson · yellow ochre

Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Darken the shadows with burnt umber and black. Create the dress and hat using various mixtures of black, umber, and a touch of blue.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the details, especially in the dress and background.
  • →Failing to establish a strong value structure early on.
  • →Getting the proportions of the face wrong.
  • →Using too much color and losing the overall tonal harmony.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Ivory black oil paint
  • ·Burnt umber oil paint
  • ·Raw sienna oil paint
  • ·Titanium white oil paint
  • ·Alizarin crimson oil paint
  • ·Yellow ochre oil paint
  • ·Assorted round and flat brushes

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Medium gloss

A pre-toned canvas will help establish the overall mood and value structure of the painting. Use a medium that promotes blending and glazing.

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oil painting for beginners →how to learn by studying the masters →
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