apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Monsieur Allard
Portrait of Monsieur Allard by Leon Bonnat

plate no. 8239

Portrait of Monsieur Allard

Leon Bonnat, 1922

oilRealismportraitportraitfiguremanclothinghandface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also improve understanding of value and form through subtle shading.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with a mid-tone gray, blending smoothly.

  3. step 03

    Block in the dark areas of the clothing, focusing on the overall shape.

  4. step 04

    Begin to build up the skin tones on the face and hands, using thin layers of paint.

  5. step 05

    Carefully define the facial features, paying attention to the light and shadow.

  6. step 06

    Add details to the clothing, such as the collar and bow.

  7. step 07

    Refine the background and adjust the values to create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · burnt sienna · yellow ochre

Mix skin tones by blending white, raw umber, and a touch of burnt sienna. Use ivory black and raw umber for the dark clothing, adding white for highlights.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring the subtle variations in value, leading to a flat painting.
  • →Not blending the edges of the forms sufficiently.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, raw umber, titanium white, burnt sienna, yellow ochre)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy