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home·artworks·Portrait of Marthe and Therese Galoppe
Portrait of Marthe and Therese Galoppe by Leon Bonnat

plate no. 1200

Portrait of Marthe and Therese Galoppe

Leon Bonnat, 1889

oil, canvasRealismportraitfiguresportraitdresseswomencouchflowers
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and folds with light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures and background.

  2. step 02

    Block in the main shapes and colors of the background, couch, and dresses using thin washes.

  3. step 03

    Begin building up the skin tones of the faces and hands, paying attention to subtle variations in color and value.

  4. step 04

    Develop the details of the dresses, focusing on the folds and highlights to create a sense of volume and texture.

  5. step 05

    Add the floral details on the dresses, using small brushes and delicate strokes.

  6. step 06

    Refine the background and add any remaining details, such as the jewelry and hair.

  7. step 07

    Glaze over the entire painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the portrait.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · raw umber · ultramarine blue · alizarin crimson

Mix subtle variations of white with small amounts of yellow ochre, raw umber, and ivory black to create the different shades of white in the dresses. Use cadmium red light and alizarin crimson to create the red background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the texture and volume of the dresses.
  • →Creating a flat and lifeless background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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