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home·artworks·Portrait of Jules Ferry
Portrait of Jules Ferry by Leon Bonnat

plate no. 2073

Portrait of Jules Ferry

Leon Bonnat, 1888

oilRealismportraitportraitfiguremanbeardclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering realistic skin tones and textures. It also provides practice in using a limited palette to create a range of values and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features onto the canvas.

  2. step 02

    Establish the overall value structure by blocking in the dark areas of the background, hair, and clothing with thin washes.

  3. step 03

    Begin building up the mid-tones and highlights on the face, using subtle color variations to create form.

  4. step 04

    Carefully define the eyes, nose, and mouth, paying close attention to the subtle details that contribute to the likeness.

  5. step 05

    Add texture to the beard and hair using short, broken brushstrokes.

  6. step 06

    Refine the details of the clothing and background, ensuring they remain secondary to the face.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · yellow ochre

Mix various shades of brown and gray by combining black, umber, sienna, and white. Add small amounts of crimson and ochre to warm up the skin tones.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions can ruin the likeness.
  • →Over-blending can result in a flat, lifeless appearance.
  • →Neglecting the subtle color variations in the skin tones.
  • →Losing the overall value structure by focusing too much on details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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