apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Geradine Marguerite Van Hardenbroek
Portrait of Geradine Marguerite Van Hardenbroek by Thérèse Schwartze

plate no. 0657

Portrait of Geradine Marguerite Van Hardenbroek

Thérèse Schwartze, 1903

oilRealismportraitportraitfiguregirldresshairbow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused lighting. It also provides practice in depicting fabric and hair textures with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and main features.

  2. step 02

    Establish the background color with a thin wash, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main areas of the face, using light and shadow to define the planes.

  4. step 04

    Begin building up the hair, using loose, expressive brushstrokes to suggest the curls and texture.

  5. step 05

    Paint the dress, focusing on the folds and highlights to create a sense of volume.

  6. step 06

    Add the details of the bow and other accessories.

  7. step 07

    Refine the facial features, paying close attention to the eyes and mouth.

  8. step 08

    Make final adjustments to the overall composition and lighting.

color palette

primary · titanium white · burnt umber · cadmium red light

secondary · yellow ochre · ultramarine blue

Mix various shades of skin tones using white, umber, red, and a touch of yellow ochre. Create the pink hues for the bow and sash by mixing white with a small amount of red.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·blending
  • ·rendering

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the correct proportions of the face.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in tone and value.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, cadmium red light, yellow ochre, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy