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home·artworks·Portrait of George, Baron Goring
Portrait of George, Baron Goring by Anthony van Dyck

plate no. 8736

Portrait of George, Baron Goring

Anthony van Dyck

oilBaroqueportraitportraitfigurearmorhaircollarmale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering metallic surfaces and creating a sense of depth through value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and armor.

  2. step 02

    Establish the background with a thin wash of dark brown and ochre, creating a gradient from dark to light.

  3. step 03

    Block in the main areas of color for the face, hair, collar, and armor, using a limited palette.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the highlights and shadows on the armor, using a combination of blending and dry brushing to create a metallic effect.

  6. step 06

    Add details to the hair, collar, and armor, such as individual strands of hair and rivets on the armor.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall depth and richness.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow light · alizarin crimson

Mix various shades of brown and gray by combining black, umber, ochre, and white. Use small amounts of crimson and yellow to add warmth to the skin tones. Create metallic highlights by mixing white with a touch of black or gray.

techniques

  • ·portrait drawing
  • ·value study
  • ·glazing
  • ·dry brushing
  • ·blending

common pitfalls

  • →Incorrect proportions of the face and body
  • →Overblending, resulting in a flat, lifeless appearance
  • →Failing to capture the subtle shifts in value and color
  • →Inaccurate rendering of the metallic surfaces

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, yellow ochre, titanium white, burnt sienna)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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