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home·artworks·Portrait of Christine Baroness Fries-Tersch
Portrait of Christine Baroness Fries-Tersch by John Quincy Adams

plate no. 0536

Portrait of Christine Baroness Fries-Tersch

John Quincy Adams, 1929

oil, canvasRealismportraitportraitfiguredresswomanfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main shapes of the figure and background with thin washes of color.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth.

  4. step 04

    Begin to refine the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the folds and drapery of the dress, using directional brushstrokes to suggest form.

  6. step 06

    Add details to the hair and jewelry.

  7. step 07

    Soften edges and blend transitions to create a smooth, realistic effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of raw umber or yellow ochre to warm up the grays as needed. Use payne's gray for the darkest shadows.

techniques

  • ·value studies
  • ·blending
  • ·portraiture
  • ·drapery rendering
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Creating harsh transitions between values.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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