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home·artworks·Portrait of a Young Scholar of the Kerckring Family
Portrait of a Young Scholar of the Kerckring Family by Ferdinand Bol

plate no. 8349

Portrait of a Young Scholar of the Kerckring Family

Ferdinand Bol, 1660

oilBaroqueportraitportraitfigureglobetablered clothbook
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form through light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic composition, including the figure, globe, and table.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in color and value.

  4. step 04

    Develop the details of the clothing, including the folds and highlights of the red cloth.

  5. step 05

    Work on the globe, adding details to the map and creating a sense of roundness.

  6. step 06

    Refine the details of the table and other objects, such as the book and inkwell.

  7. step 07

    Add final highlights and shadows to create a sense of depth and realism.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ivory black · ultramarine blue · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white. Use cadmium red mixed with burnt umber for the red cloth, and add ivory black to darken shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·underpainting

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to create a strong sense of depth and form.
  • →Getting lost in the details before establishing the overall value structure.
  • →Not paying enough attention to the subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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