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home·artworks·Portrait of a young lady
Portrait of a young lady by John Quincy Adams

plate no. 6154

Portrait of a young lady

John Quincy Adams, 1908

oil, canvasRealismportraitportraitfiguredressshawlinteriorpainting
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth through subtle value changes and soft edges.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with broad, loose strokes, focusing on the overall color and value.

  3. step 03

    Block in the main shapes of the dress and shawl, paying attention to the folds and drapery.

  4. step 04

    Begin refining the facial features, using subtle color variations to create form.

  5. step 05

    Add details to the dress and shawl, such as highlights and shadows, to create a sense of depth and texture.

  6. step 06

    Work on the background details, including the painting and furniture, to add context and interest.

  7. step 07

    Refine the overall composition, adjusting values and edges as needed to create a cohesive image.

  8. step 08

    Add final touches, such as highlights in the eyes and details in the jewelry.

color palette

primary · ivory black · titanium white · raw umber

secondary · ultramarine blue · yellow ochre · alizarin crimson

Use ivory black and ultramarine blue to create the dark tones of the dress. Mix titanium white with small amounts of yellow ochre and alizarin crimson for the skin tones. Create the shawl's color by mixing ultramarine blue and titanium white.

techniques

  • ·alla prima
  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating harsh edges that flatten the image.
  • →Failing to capture the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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