apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Girl
Portrait of a Young Girl by Alexei Harlamoff

plate no. 5212

Portrait of a Young Girl

Alexei Harlamoff

oilRealismportraitportraitgirlveilfigureclothinghands
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering delicate fabrics. It also provides practice in creating depth and atmosphere through layered brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the girl, focusing on the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with broad, blended strokes of warm browns and reds.

  3. step 03

    Block in the main areas of the face, using a limited palette of skin tones.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Paint the veil, using thin layers of white and gray to create the translucent effect.

  6. step 06

    Work on the clothing, using darker values to create depth and texture.

  7. step 07

    Add details to the hands, paying attention to the subtle variations in skin tone.

  8. step 08

    Refine the overall composition, adjusting values and adding highlights to create a sense of realism.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · ivory black

Mix skin tones by blending white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and ivory black to create cool shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, cadmium red, ultramarine blue, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy