
plate no. 2231
Ferdinand Bol, 1658
Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones, as well as understanding and applying chiaroscuro to create depth and form.
technical profile
approach — 8 steps
Prepare the canvas with a neutral ground.
Lightly sketch the main shapes and proportions of the figure, geometric diagram, and background.
Block in the main areas of color, starting with the background and then the clothing.
Begin to develop the skin tones, paying close attention to the highlights and shadows.
Refine the details of the face, including the eyes, nose, and mouth.
Add the white collar and the geometric diagram, focusing on clean lines.
Adjust the values and colors throughout the painting to create a sense of depth and realism.
Add final details and highlights to complete the painting.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · burnt sienna · cadmium red light
Mix skin tones using titanium white, yellow ochre, cadmium red light, and a touch of raw umber. Achieve darker tones in the clothing by mixing ivory black with raw umber. Use white to create the geometric diagram.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne