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home·artworks·Portrait of a Man
Portrait of a Man by Adriaen Brouwer

plate no. 9045

Portrait of a Man

Adriaen Brouwer, 1630

oil, panelBaroqueportraitportraitmanhatcollarfigurebeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and collar.

  2. step 02

    Establish the background with a thin wash of neutral color.

  3. step 03

    Block in the main areas of color for the face, hat, clothing, and collar, focusing on value relationships.

  4. step 04

    Begin building up the form of the face, paying close attention to the subtle shifts in color and value.

  5. step 05

    Add details to the facial features, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Develop the texture of the hat and clothing with visible brushstrokes, varying the direction and pressure.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Add final details, such as the collar's edges and any stray hairs.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · titanium white · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use yellow ochre and cadmium red light sparingly to add warmth to the skin tones.

techniques

  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·alla prima
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the tonal harmony.
  • →Ignoring the direction of the brushstrokes and creating a flat, lifeless surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface to allow for subtle blending. Consider using a toned canvas to establish a base value.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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