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home·artworks·Portrait of a girl
Portrait of a girl by Pasquale Celommi

plate no. 3602

Portrait of a girl

Pasquale Celommi, 1910

oil, canvasRealismportraitportraitfigurewomanclothingnecklacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones. It will also improve their ability to create soft, diffused lighting effects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color: background, skin, clothing.

  3. step 03

    Refine the skin tones by layering and blending subtle variations of color.

  4. step 04

    Add details to the face, focusing on accurate placement and shading of the eyes, nose, and mouth.

  5. step 05

    Paint the clothing, paying attention to the folds and highlights.

  6. step 06

    Add the necklace and other accessories.

  7. step 07

    Refine the background and edges of the figure.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · ivory black · viridian green · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of red. The background is primarily raw umber and black, lightened with white for highlights. The green vest is a mix of viridian green, yellow ochre, and raw umber.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value studies
  • ·color mixing

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Using too much black, making the painting look muddy.
  • →Neglecting the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, raw umber, burnt sienna, yellow ochre, ivory black, viridian green, cadmium red light)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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