apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Boy, Said to Be the Artist's Son, Aged 8
Portrait of a Boy, Said to Be the Artist's Son, Aged 8 by Ferdinand Bol

plate no. 2184

Portrait of a Boy, Said to Be the Artist's Son, Aged 8

Ferdinand Bol, 1652

oilBaroqueportraitfigureportraittablestill lifedraperychair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing the depiction of fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background and drapery, paying attention to the subtle variations in tone and color.

  4. step 04

    Refine the figure's features, focusing on accurate proportions and realistic skin tones.

  5. step 05

    Add details to the clothing and accessories, capturing the textures and patterns.

  6. step 06

    Paint the still life elements on the table, paying attention to light and shadow.

  7. step 07

    Adjust the overall composition and values to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · titanium white · raw sienna · ultramarine blue

Achieve the skin tones by mixing titanium white, cadmium red, and yellow ochre, with small amounts of burnt umber for shadows. Create the gray-blue of the suit by mixing ivory black, ultramarine blue, and titanium white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or flat lighting.
  • →Inaccurate color mixing.
  • →Lack of attention to detail in the clothing and accessories.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne