apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Poor Yet Rich
Poor Yet Rich by Thérèse Schwartze

plate no. 5182

Poor Yet Rich

Thérèse Schwartze, 1887

oilRealismgenre paintingfigureschildrenmotherbabyclothingwall
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and facial expressions, as well as understanding how to create depth using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and background elements, focusing on proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, using a limited palette and focusing on subtle gradations of color.

  4. step 04

    Define the clothing and other details, paying attention to the folds and textures.

  5. step 05

    Refine the facial features, capturing the expressions and adding highlights.

  6. step 06

    Add details to the background, maintaining a soft and muted effect.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Create grays by mixing black and white, adjusting with small amounts of other colors for warmth or coolness.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value changes.
  • →Failing to capture the correct proportions of the figures.
  • →Ignoring the importance of soft edges and blending.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy