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home·artworks·Philip, Fourth Lord Wharton
Philip, Fourth Lord Wharton by Anthony van Dyck

plate no. 4518

Philip, Fourth Lord Wharton

Anthony van Dyck, 1632

oil, canvasBaroqueportraitportraitfigureclothingdraperylandscapestaff
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the form of the face, paying attention to highlights and shadows.

  4. step 04

    Develop the drapery, focusing on the folds and how they interact with the light.

  5. step 05

    Refine the details of the clothing, hair, and background.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze with thin layers of color to unify the painting and create subtle color variations.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix skin tones using white, yellow ochre, burnt umber, and a touch of alizarin crimson. Create the golden drapery by mixing yellow ochre with burnt umber and white, glazing with cadmium yellow for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery study

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth.
  • →Not paying attention to the way light interacts with the fabric.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, yellow ochre, burnt umber, titanium white, cadmium yellow, alizarin crimson, viridian)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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