apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peasants merrying outside an inn
Peasants merrying outside an inn by David Teniers the Younger

plate no. 8348

Peasants merrying outside an inn

David Teniers the Younger, 1642

oil, panelBaroquegenre paintingfiguresbuildingtreesfencedoglandscape
some experience helpful

Recreating this painting will help students develop skills in rendering figures in dynamic poses and creating depth through atmospheric perspective. It also provides practice in capturing the texture of aged buildings and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, figures, and fence.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main colors of the building, figures, and landscape.

  4. step 04

    Refine the details of the building, paying attention to the texture and aging.

  5. step 05

    Develop the figures, focusing on accurate proportions and dynamic poses.

  6. step 06

    Add details to the fence and landscape, creating depth with atmospheric perspective.

  7. step 07

    Introduce highlights and shadows to enhance the form and create contrast.

  8. step 08

    Add final details, such as the dog and small objects, to complete the scene.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · sap green · ultramarine blue

Use burnt umber and yellow ochre to create the warm tones of the building and landscape. Mix small amounts of cadmium red and ultramarine blue to create the darker shades. Use white to lighten colors and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint

Use a medium-grain canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne