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home·artworks·Peasants Merry-Making
Peasants Merry-Making by David Teniers the Younger

plate no. 8641

Peasants Merry-Making

David Teniers the Younger, 1650

oil, canvasBaroquegenre paintingfigureslandscapebuildingtreestavernsky
experienced study

Recreating this painting will help students develop skills in rendering figures in a crowd and creating atmospheric perspective. It also provides practice in mixing subtle earth tones and capturing the texture of foliage and architecture.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main elements: the building, tree, figures, and distant landscape.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the building and tree, using darker values for shadows and lighter values for highlights.

  4. step 04

    Begin adding details to the figures, starting with the larger shapes and gradually refining the forms.

  5. step 05

    Mix and apply a range of earth tones to create the clothing and skin tones of the figures.

  6. step 06

    Add details to the building, such as the roof tiles, windows, and signage.

  7. step 07

    Refine the foliage of the tree, using a variety of brushstrokes to create texture and depth.

  8. step 08

    Add final details and highlights to the figures and the surrounding environment.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red

Achieve the earthy tones by mixing burnt umber and raw sienna with white. Use ultramarine blue to create atmospheric perspective in the sky and distant landscape. Small amounts of cadmium red can be added to create warmer tones in the figures' clothing and skin.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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