apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Partenza Della Lancetta
Partenza Della Lancetta by Pasquale Celommi

plate no. 1882

Partenza Della Lancetta

Pasquale Celommi

oilRealismgenre paintingbeachfiguresboatsseaskysunset
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve atmospheric perspective and learn how to depict reflections on wet surfaces. It also provides practice in rendering figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of the figures and boats.

  2. step 02

    Block in the large areas of color for the sky, sea, and sand using thin washes.

  3. step 03

    Establish the main value structure, focusing on the light and shadow patterns created by the sunset.

  4. step 04

    Develop the colors of the sky, blending pinks, oranges, and blues to create a sense of depth and atmosphere.

  5. step 05

    Paint the sea, capturing the reflections of the sky and the movement of the water.

  6. step 06

    Add details to the boats, using darker values to define their shapes and create contrast.

  7. step 07

    Paint the figures, paying attention to their proportions and the way they interact with the light.

  8. step 08

    Add final details, such as highlights on the water and subtle variations in the sand.

color palette

primary · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna

Achieve the sunset colors by mixing cadmium red and titanium white, adding small amounts of yellow ochre or ultramarine blue to adjust the hue. Use burnt umber and ultramarine blue to create darker tones for the shadows and boats.

techniques

  • ·color blending
  • ·atmospheric perspective
  • ·rendering reflections
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy