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home·artworks·Mestre, near Venice
Mestre, near Venice by William Logsdail

plate no. 6072

Mestre, near Venice

William Logsdail, 1881

oilRealismcityscapestreetbuildingstreesskytowershadows
some experience helpful

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and capturing light and shadow. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the road and buildings.

  2. step 02

    Block in the sky with light blue and white, creating soft clouds.

  3. step 03

    Establish the dark masses of the trees on the right and the foliage on the left.

  4. step 04

    Paint the tower using a mix of browns, reds, and whites, paying attention to the light hitting it.

  5. step 05

    Add the buildings on the left, focusing on their form and shadows.

  6. step 06

    Lay in the road with varied tones of brown, ochre, and gray, capturing the shadows.

  7. step 07

    Add details to the trees and foliage, using small brushstrokes to create texture.

  8. step 08

    Refine the details and add highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · sap green

Mix browns and reds with white to achieve the tower's color. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth. Mix greens and browns for the foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·one-point perspective
  • ·alla prima

common pitfalls

  • →Failing to establish a strong perspective.
  • →Overworking the details too early.
  • →Using too much detail in the background, losing the atmospheric perspective.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-textured canvas to help create texture with the brushstrokes.

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related guides

oil painting for beginners →how to learn by studying the masters →
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