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home·artworks·Menton and La Tête De Chien, France, from the Frontier
Menton and La Tête De Chien, France, from the Frontier by William Logsdail

plate no. 6198

Menton and La Tête De Chien, France, from the Frontier

William Logsdail, 1891

oilRealismcityscapecityscapewatertreesfoliagemountainsarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth. It also provides practice in rendering foliage and architectural details with loose brushstrokes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the city outline, and the main tree branches.

  2. step 02

    Block in the sky and water with diluted blues, gradually lightening the sky towards the horizon.

  3. step 03

    Establish the distant mountains with muted blues and purples, using lighter values for areas closer to the viewer.

  4. step 04

    Paint the city buildings with a mix of whites, grays, and subtle yellows, paying attention to the light and shadow.

  5. step 05

    Add the foliage on the tree and in the foreground, using a variety of greens and browns, and varying the brushstrokes to create texture.

  6. step 06

    Refine the details of the balustrade and the path, adding highlights and shadows to create form.

  7. step 07

    Add final details to the foliage, including lighter greens and yellows to suggest sunlight.

  8. step 08

    Glaze with thin layers to unify the colors and create atmospheric depth.

color palette

primary · cerulean blue · titanium white · raw umber · sap green

secondary · yellow ochre · burnt sienna · ultramarine blue · cadmium yellow light

Mix greens by combining blues and yellows, and create muted tones by adding small amounts of complementary colors. Use white to lighten colors and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking details in the distant city
  • →Using too much pure color without mixing
  • →Creating flat, lifeless foliage
  • →Ignoring the effects of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·assorted oil paints

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to save time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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