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home·artworks·Mary Logsdail
Mary Logsdail by William Logsdail

plate no. 6654

Mary Logsdail

William Logsdail, 1910

oilRealismportraitportraitfiguredresslandscapetreesfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth and atmosphere in a landscape background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with broad strokes of dark greens and browns.

  3. step 03

    Establish the basic values of the figure, focusing on the highlights and shadows on the dress.

  4. step 04

    Begin refining the facial features, paying attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the dress, including the folds, drapery, and textures.

  6. step 06

    Add the purple sash, blending the colors to create a soft, flowing effect.

  7. step 07

    Refine the background, adding details such as trees and foliage to create depth.

  8. step 08

    Add final highlights and details to the figure and background to complete the painting.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · dioxazine purple · sap green · cadmium yellow light

Mix various shades of gray by combining ivory black and titanium white. Achieve the dress's silvery sheen by layering thin glazes of gray and white. Mix greens for the background by combining sap green, yellow ochre, and raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details of the face too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·dioxazine purple oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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