apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Market in Normandy
Market in Normandy by Theodore Rousseau

plate no. 2218

Market in Normandy

Theodore Rousseau, 1848

oilRealismlandscapebuildingsmarketfiguresskystreetNormandy
some experience helpful

Recreating this painting will help students develop skills in rendering architectural forms with loose brushwork and creating atmospheric perspective with muted colors. It also provides practice in depicting figures in a crowd and suggesting details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the overall composition, paying attention to perspective.

  2. step 02

    Establish the horizon line and the vanishing point(s).

  3. step 03

    Block in the main color areas: sky, buildings, and ground, using thin washes.

  4. step 04

    Develop the details of the buildings, focusing on the textures of the stone and wood.

  5. step 05

    Add the figures in the market scene, using simple shapes and colors.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add highlights to the buildings and figures to create a sense of realism.

  8. step 08

    Adjust the overall color balance and add any final details.

color palette

primary · burnt sienna · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue. Use thin washes of color to build up layers and create depth.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating too much contrast and losing the atmospheric effect.
  • →Incorrect perspective, making the buildings look distorted.
  • →Using colors that are too bright and saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy