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home·artworks·Mó-sho-la-túb-bee, He Who Puts Out and Kills, Chief of the Tribe
Mó-sho-la-túb-bee, He Who Puts Out and Kills, Chief of the Tribe by George Catlin

plate no. 4477

Mó-sho-la-túb-bee, He Who Puts Out and Kills, Chief of the Tribe

George Catlin, 1834

oilRealismportraitportraitfigureNative Americanclothingpipefan
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering clothing details. It also provides practice in color mixing to achieve realistic skin tones and fabric colors.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the pose and composition.

  2. step 02

    Block in the main areas of color: skin, clothing, background.

  3. step 03

    Refine the skin tones, using layers of color to create depth and dimension.

  4. step 04

    Add details to the clothing, including the patterns and textures.

  5. step 05

    Paint the accessories, such as the pipe, fan, and jewelry.

  6. step 06

    Refine the background, adding subtle variations in color and tone.

  7. step 07

    Add final highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Review and adjust the painting as needed to achieve a cohesive and finished look.

color palette

primary · burnt umber · titanium white · cerulean blue · cadmium red

secondary · yellow ochre · ivory black

Mix burnt umber and white for skin tones, adjusting the ratio to create highlights and shadows. Use cerulean blue and white for the clothing, adding small amounts of red or yellow to adjust the hue. Mix red and umber for the darker reds.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·rendering textures

common pitfalls

  • →Getting the proportions wrong
  • →Oversaturating the colors
  • →Not blending the colors smoothly
  • →Ignoring the subtle variations in tone

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →how to learn by studying the masters →
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