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home·artworks·Little Girl with Veil
Little Girl with Veil by Alexei Harlamoff

plate no. 2892

Little Girl with Veil

Alexei Harlamoff, 1904

pastelRealismportraitportraitgirlveilhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused lighting. It also provides practice in layering colors and creating texture with pastel.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the girl's head, shoulders, and veil.

  2. step 02

    Establish the background tone with a light, even layer of pastel.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and veil, focusing on overall values.

  4. step 04

    Begin layering colors to build depth and dimension in the skin tones, paying attention to subtle shifts in hue.

  5. step 05

    Develop the details of the hair, using short, broken strokes to create texture and movement.

  6. step 06

    Render the veil, focusing on the interplay of light and shadow to suggest its delicate texture.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the girl's likeness.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism and depth.

color palette

primary · flesh tones (various shades of pink, peach, and beige) · browns · black

secondary · red · gold · gray · ivory

Achieve skin tones by layering pinks, peaches, and creams. Mix browns with blues and reds for richer shadows in the hair and clothing. Use white and gray to soften and blend colors.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·hatching
  • ·portraiture

common pitfalls

  • →overworking the pastel
  • →flattening the forms with too much blending
  • →losing the likeness
  • →getting the proportions wrong
  • →not using enough contrast

materials

surface · pastel paper (toned)

required

  • ·pastel set (various colors)
  • ·pastel paper (toned)
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·soft brushes
  • ·drawing board

optional

  • ·palette knife
  • ·workable fixative
  • ·pastel pencils

Choose a pastel paper with a slightly textured surface to grip the pastel. A toned paper will help establish the overall value range of the painting.

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