
plate no. 1063
Gerard van Honthorst, 1647
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value gradations to model form.
technical profile
approach — 8 steps
Begin with a light sketch to establish the proportions and pose of the figure.
Block in the main areas of color, focusing on the background, skin tones, clothing, and hat.
Refine the skin tones, paying attention to highlights and shadows to create a sense of depth.
Develop the details of the clothing, including the folds, textures, and embellishments.
Carefully render the lace collar and jewelry, capturing their intricate details.
Add details to the hat, including the feathers and embellishments.
Refine the overall composition, adjusting values and colors as needed.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · burnt sienna · cadmium red light · titanium white
secondary · yellow ochre · ultramarine blue
Skin tones can be achieved by mixing white, burnt sienna, and a touch of red. The red clothing is achieved by mixing cadmium red light with burnt sienna and ivory black for shadows. Use ultramarine blue to cool down the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne