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home·artworks·Leonora Christina Ulfeldt
Leonora Christina Ulfeldt by Gerard van Honthorst

plate no. 1063

Leonora Christina Ulfeldt

Gerard van Honthorst, 1647

oilBaroqueportraitportraitfigureclothinghatjewelrylace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and pose of the figure.

  2. step 02

    Block in the main areas of color, focusing on the background, skin tones, clothing, and hat.

  3. step 03

    Refine the skin tones, paying attention to highlights and shadows to create a sense of depth.

  4. step 04

    Develop the details of the clothing, including the folds, textures, and embellishments.

  5. step 05

    Carefully render the lace collar and jewelry, capturing their intricate details.

  6. step 06

    Add details to the hat, including the feathers and embellishments.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt sienna · cadmium red light · titanium white

secondary · yellow ochre · ultramarine blue

Skin tones can be achieved by mixing white, burnt sienna, and a touch of red. The red clothing is achieved by mixing cadmium red light with burnt sienna and ivory black for shadows. Use ultramarine blue to cool down the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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