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Landscape with River and Trees by Simon de Vlieger

plate no. 5079

Landscape with River and Trees

Simon de Vlieger, 1645

oil, canvasBaroquelandscapetreesriverlandscapeskyfoliagefigure
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding how to depict realistic foliage and tree structures. It also provides practice in creating a balanced composition with a clear focal point.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: trees, river, and horizon line.

  2. step 02

    Establish the sky with soft, blended blues and grays, creating a sense of atmospheric perspective.

  3. step 03

    Block in the large masses of the trees with dark greens and browns, paying attention to the overall structure.

  4. step 04

    Start layering lighter greens and yellows on the foliage to create highlights and variations in color.

  5. step 05

    Paint the river with muted blues and greens, reflecting the colors of the sky and surrounding landscape.

  6. step 06

    Add details to the foreground, including the figure and any other elements, using smaller brushes.

  7. step 07

    Refine the details of the trees, adding branches and individual leaves to create texture and realism.

  8. step 08

    Add final highlights and shadows to enhance the depth and dimension of the painting.

color palette

primary · sap green · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · payne's gray

Mix greens by combining blues and yellows, and browns by mixing reds, yellows, and blues. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much pure color without mixing.
  • →Ignoring the atmospheric perspective and depth of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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