apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape at Vigerie, valley Santoire, Auvergne
Landscape at Vigerie, valley Santoire, Auvergne by Theodore Rousseau

plate no. 0661

Landscape at Vigerie, valley Santoire, Auvergne

Theodore Rousseau, 1830

oilRealismlandscapemountainslandscapevillagetreesskyhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in mixing natural greens and browns to represent foliage and earth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and village, paying attention to perspective.

  2. step 02

    Block in the sky with a thin wash of light blue and white.

  3. step 03

    Establish the dark values of the mountains and trees with a mix of browns and greens.

  4. step 04

    Layer lighter greens and yellows on the mountains to create highlights and form.

  5. step 05

    Add details to the village buildings with small brushstrokes.

  6. step 06

    Refine the foreground with textured brushwork to represent grass and foliage.

  7. step 07

    Soften edges and blend colors to create atmospheric perspective.

  8. step 08

    Add final highlights to the mountains and village to enhance the sense of light.

color palette

primary · viridian green · raw umber · titanium white · yellow ochre

secondary · cerulean blue · burnt sienna · cadmium yellow light

Mix greens by combining viridian green, yellow ochre, and raw umber. Use white to lighten values and create atmospheric perspective. Browns can be achieved by mixing burnt sienna and raw umber.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·blending

common pitfalls

  • →overworking details in the background
  • →using too much green straight from the tube
  • →creating harsh lines instead of soft transitions
  • →ignoring value changes to indicate form

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·oil paints (see color palette)

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a glazing medium to enhance the depth of colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy