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home·artworks·Kyrgyz tent on the Chu River
Kyrgyz tent on the Chu River by Vasily Vereshchagin

plate no. 9506

Kyrgyz tent on the Chu River

Vasily Vereshchagin, 1870

oilRealismlandscapeyurtlandscapemountainsfiguresgrasslandsky
some experience helpful

This painting offers practice in creating atmospheric perspective and rendering simple forms with visible brushstrokes. Students can learn to mix subtle color variations to depict light and shadow on the landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the yurt, figures, and mountains.

  2. step 02

    Block in the sky with a light blue, gradually blending towards the horizon.

  3. step 03

    Establish the base color of the grassland with a mix of yellow ochre and burnt sienna.

  4. step 04

    Paint the distant mountains with muted blues and purples, using lighter values for mountains further away.

  5. step 05

    Add the yurt, starting with the basic shape and then adding details like the door and decorative elements.

  6. step 06

    Paint the figures, simplifying their forms and focusing on their overall shape and color.

  7. step 07

    Add details to the foreground grass with short, broken brushstrokes.

  8. step 08

    Refine the details and adjust values to create depth and atmosphere.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · raw umber · violet

Mix muted blues and purples for the mountains by combining ultramarine blue, violet, and white. Achieve the grassland color by mixing yellow ochre, burnt sienna, and a touch of raw umber.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Making the colors too saturated, especially in the mountains.
  • →Failing to create a sense of depth and distance.
  • →Not simplifying the forms of the figures enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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