apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·King Charles I Of England
King Charles I Of England by Anthony van Dyck

plate no. 6269

King Charles I Of England

Anthony van Dyck

oilBaroqueportraitportraitfigureclothingdraperytablehat
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex textures like fabric and hair. It also offers practice in achieving subtle value gradations to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background and drapery, focusing on subtle color variations.

  4. step 04

    Begin building up the form of the face, paying close attention to highlights and shadows.

  5. step 05

    Refine the details of the clothing, including the lace collar and the star emblem.

  6. step 06

    Add details to the hair, using small brushstrokes to create texture.

  7. step 07

    Paint the hands and the objects on the table.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium yellow

secondary · prussian blue · burnt sienna · gold ochre

Achieve the skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna. Use ivory black and raw umber to create the dark tones of the clothing, and mix white with a touch of blue or yellow to create the highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and form.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ivory black, raw umber, titanium white, cadmium yellow, prussian blue, burnt sienna, gold ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for applying the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne