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home·artworks·Kút-tee-o-túb-bee, How Did He Kill, a Noted Brave (Choctaw)
Kút-tee-o-túb-bee, How Did He Kill, a Noted Brave (Choctaw) by George Catlin

plate no. 2802

Kút-tee-o-túb-bee, How Did He Kill, a Noted Brave (Choctaw)

George Catlin, 1834

oilRealismportraitportraitfigureclothingheadwearbravenative american
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate color mixing for skin tones and rendering complex fabric textures. It also provides practice in creating soft, atmospheric backgrounds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure.

  2. step 02

    Establish the background with loose washes of color, focusing on the atmospheric effect.

  3. step 03

    Block in the main areas of color for the skin, clothing, and headwear.

  4. step 04

    Refine the skin tones with subtle color variations and highlights.

  5. step 05

    Add details to the clothing, paying attention to the patterns and folds.

  6. step 06

    Work on the headwear, capturing the texture and form of the fabric.

  7. step 07

    Define the facial features and add highlights to the eyes and other key areas.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic representation.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · ivory black · raw sienna

Achieve skin tones by mixing burnt umber, cadmium red, yellow ochre, and titanium white. Create the blue in the clothing by mixing ultramarine blue and ivory black, and lightening with white. Use red and white for the headwear.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Ignoring subtle color variations in the skin tones.
  • →Getting lost in details before establishing the overall composition.
  • →Not creating enough contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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related guides

oil painting for beginners →how to learn by studying the masters →
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