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home·artworks·Italian scientist Ulisse Aldrovandi
Italian scientist Ulisse Aldrovandi by Agostino Carracci

plate no. 0017

Italian scientist Ulisse Aldrovandi

Agostino Carracci

oilBaroqueportraitportraitfigurebeardfurold manbackground painting
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and creating depth through value changes. It also offers practice in depicting textures like fur and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and beard.

  2. step 02

    Establish the background with a dark, muted tone, including the suggestion of the painting within the painting.

  3. step 03

    Block in the main areas of color on the face, beard, and clothing, focusing on the overall value structure.

  4. step 04

    Begin refining the skin tones, using subtle color variations to create form and volume.

  5. step 05

    Add details to the beard, using small brushstrokes to suggest individual hairs and texture.

  6. step 06

    Work on the fur collar, paying attention to the way light interacts with the different planes and textures.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · burnt umber · raw sienna · ivory black

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use varying amounts of white to create highlights and shadows. Mix black and umber for the dark background and clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of the background in creating depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·linseed oil
  • ·palette knife
  • ·medium

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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