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home·artworks·Incontro Nei Campi
Incontro Nei Campi by Pasquale Celommi

plate no. 9614

Incontro Nei Campi

Pasquale Celommi, 1910

oilRealismgenre paintingfigureslandscapefieldmountainstreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and figure painting within a landscape. It also provides practice in creating subtle color variations to depict depth and distance.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, mountains, field, and figures.

  3. step 03

    Establish the values, paying attention to the light and shadow on the figures and the landscape.

  4. step 04

    Refine the details of the figures, including their clothing and facial features.

  5. step 05

    Add details to the landscape, such as the trees, grass, and flowers.

  6. step 06

    Create atmospheric perspective by softening the details and lightening the colors of the distant mountains.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · sap green · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Create muted tones by adding a touch of burnt umber to your colors. Use white to lighten values and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·figure painting
  • ·color mixing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details, especially in the background.
  • →Creating colors that are too saturated or bright.
  • →Ignoring the importance of value in creating depth.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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