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home·artworks·In the Store During a Pause from Fishing
In the Store During a Pause from Fishing by Peder Severin Kroyer

plate no. 0240

In the Store During a Pause from Fishing

Peder Severin Kroyer, 1882

oilRealismgenre paintingfiguresinteriortablewindowbarchildren
experienced study

Recreating this painting will help students develop skills in depicting figures in a complex interior space and understanding how light affects the mood of a scene. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background and establish the light source from the window.

  4. step 04

    Start refining the figures, paying attention to their individual characteristics and clothing.

  5. step 05

    Add details to the objects on the table, such as the cans and dishes.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add highlights to create a sense of realism.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · yellow ochre · ultramarine blue

secondary · titanium white · raw sienna · cadmium red light

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white, with small amounts of cadmium red light for warmth. Create shadows by adding ultramarine blue to the base skin tone mix. Use varying amounts of white to adjust the values.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overmixing colors and creating muddy tones.
  • →Ignoring the effect of light on the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, raw sienna, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium can be added to the paints to improve flow and drying time.

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oil painting for beginners →how to learn by studying the masters →
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