apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Gur Emir Mausoleum. Samarkand
Gur Emir Mausoleum. Samarkand by Vasily Vereshchagin

plate no. 1960

Gur Emir Mausoleum. Samarkand

Vasily Vereshchagin, 1870

oilRealismcityscapearchitecturebuildingdomeskyfigurescityscape
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict complex architectural forms using simplified shapes and values. It also provides practice in mixing earth tones and depicting subtle light variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building and dome, paying attention to proportions.

  2. step 02

    Block in the main areas of color: sky, dome, walls, and ground.

  3. step 03

    Establish the light and shadow patterns on the architecture.

  4. step 04

    Begin adding details to the dome and minaret, focusing on the patterns and textures.

  5. step 05

    Refine the details of the walls, adding cracks and variations in color.

  6. step 06

    Paint the figures in the foreground, keeping them simple and in proportion.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · raw umber · cadmium yellow light · cerulean blue

Mix various shades of ochre and sienna for the walls. Use ultramarine and white for the sky, and mix ultramarine with burnt sienna to create grays for shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (for oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-textured canvas for better paint adhesion. Acrylics are easier for beginners, while oils offer richer colors and blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy