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home·artworks·Gromniczna
Gromniczna by Teodor Axentowicz

plate no. 4611

Gromniczna

Teodor Axentowicz

oilRealismportraitfiguresnowportraitwinterlandscapechildren
some experience helpful

Recreating this painting will help students practice capturing realistic skin tones and rendering snow with subtle color variations. It also offers practice in depicting figures at different distances and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Establish the main value structure with a thin wash of neutral tones.

  3. step 03

    Block in the large shapes of the figures and the background elements, paying attention to their relative sizes and proportions.

  4. step 04

    Begin to refine the skin tones of the main figure, using subtle color variations to create a sense of form.

  5. step 05

    Add details to the clothing and accessories, such as the scarf and the coat.

  6. step 06

    Develop the background, focusing on the texture of the snow and the distant figures.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · viridian green

Mix white with small amounts of umber and ochre for the snow. Use red and umber for skin tones, adding small amounts of blue or green to cool down the shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much pure white for the snow, which can make it look flat.
  • →Ignoring the subtle color variations in the skin tones.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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