apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Glacier on the way from Kashmir to Ladakh
Glacier on the way from Kashmir to Ladakh by Vasily Vereshchagin

plate no. 2212

Glacier on the way from Kashmir to Ladakh

Vasily Vereshchagin, 1875

oilRealismlandscapemountainsglacierskylandscapesnowvalley
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic mountain shapes and the valley floor, paying attention to perspective.

  2. step 02

    Block in the sky with a flat layer of blue, leaving space for clouds.

  3. step 03

    Establish the dark and light areas of the mountains with thin washes of color.

  4. step 04

    Begin layering greens and browns in the valley, creating texture with short brushstrokes.

  5. step 05

    Add highlights to the snow and glacier with white and light blues.

  6. step 06

    Refine the details of the mountains, adding shadows and highlights to define the forms.

  7. step 07

    Add small details in the foreground to create depth.

  8. step 08

    Glaze with thin washes to unify the colors and create atmosphere.

color palette

primary · ultramarine blue · titanium white · viridian green · burnt umber

secondary · yellow ochre · cadmium yellow · alizarin crimson

Mix greens by blending blues and yellows, and create muted tones by adding small amounts of complementary colors.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the details in the foreground.
  • →Making the colors too saturated.
  • →Not establishing a strong value structure early on.
  • →Failing to create a sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy